Wednesday, May 1, 2013

Street star to face rape charges

Street star to face rape charges

William RoacheMr Roache will face the charges at Preston Magistrates' Court on 14 May

Coronation Street star William Roache is to be charged with two counts of rape involving a 15-year-old girl in the 1960s, prosecutors said.

Mr Roache, 81, from Wilmslow, Cheshire, is alleged to have committed the rapes in Haslingden, Lancashire, between April and July 1967, police said.

Neither Mr Roache, who has played Ken Barlow in the TV soap since 1960, nor his representatives have commented.

Prosecutors said Mr Roache will appear before Preston magistrates on 14 May.

Chief Crown Prosecutor Nazir Afzal said the evidence against Mr Roache had been "carefully considered" and as a result, the Crown Prosecution Service would be charging him with two counts of rape.

"We have been reviewing evidence and providing early investigative advice to Lancashire Police since 1 March," he said.

"Having completed our review, we have concluded that there is sufficient evidence and it is in the public interest for Mr Roache to be charged."

Mr Roache has an award from Guinness World Records for being the world's longest-serving soap actor, having played Ken Barlow since Coronation Street's first episode.


Street star to face rape charges
http://www.bbc.co.uk/news/uk-england-22374518#sa-ns_mchannel=rss&ns_source=PublicRSS20-sa

Star Wars irresistible for Abrams

Star Wars irresistible for Abrams

Star Trek director JJ Abrams

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Abrams on his approach to the new Trek film

Film-maker JJ Abrams has said the offer to direct the upcoming new Star Wars movie was a "once in a lifetime opportunity" he could not resist.

But the Star Trek director admitted he "absolutely" worries about being seen as a man who "reboots" franchises.

"It was one of the main reasons I initially said no to Star Wars," he told the BBC's Will Gompertz. "I thought, 'I can't be that guy.'"

Abrams' latest film, Star Trek Into Darkness, is released on 9 May.

He was also in charge of the previous Trek instalment in 2009.

Before directing Mission: Impossible III in 2006, Abrams wrote and produced such hit TV shows as Alias and Lost.

In 2011 he directed Super 8, a sci-fi fantasy thriller that he co-produced with Steven Spielberg.

Abrams, who is in Britain to promote Star Trek Into Darkness, said he had planned to follow it with something in a more modest vein.

"There's a story that we are working on that's a small comedy drama, that I assumed would be the next movie I was going to direct.

“Start Quote

I do feel at a certain point, if I take on one more, it's over”

End Quote JJ Abrams on major franchises

"And then Star Wars came along. It was one of those things where Star Wars felt like one of those once in a lifetime opportunities that forced me to stop and reconsider whatever the rulebook was."

The director said he does not have a strategy about which films to take on, responding instead to projects that "feel - in my gut - like something special".

But the 46-year-old admitted he is aware of the dangers of becoming too associated with big film franchises.

"I do feel at a certain point, if I take on one more, it's over," he said. "I already felt that way with Mission: Impossible, then with Star Trek."

Abrams, who also worked on the script for 1998 film Armageddon, said that if he had to choose whether to work on TV or film, he would pick the former because "there are more risks being taken".

Television, he continued, presents "opportunities for nuance and scenes that in a film would never make the final cut, because there's no room".

Star Wars 'geek'

"If you look at actors on TV today it's insane how good the performances are," he went on. "Some of the best writing I've seen exists in television.

"So for me, the stuff I've been most excited about recently has been coming from television, both in the UK and the States.

"But it's a close one because movies were always - for me as a kid - the thing.

"I am hoping studios will begin to see what's happening in TV, take advantage of that technology, and make more films that are not based on pre-existing franchises."

JJ Abrams with members of the Star Trek castAbrams, pictured with members of the Star Trek cast, said he hoped to make "authentic" films

A self-confessed Star Wars fan, Abrams said he would have to try to mitigate his "geeky fan-boy" feelings about his forthcoming project.

"It's just about about approaching it from as authentic a place as possible, and not trying to apply what you believe or think, as much as trying to filter everything and get at it from the core of the characters.

"[It should be] what you deeply want to see, never what you assume the fans might like."

Despite working on Star Trek and Star Wars concurrently, Abrams said he was not concerned that the two films might have a similar feel.

"To me they are such wildly disparate universes - the back story, the tone, the mood, certainly the history [and] the characters - that I'm in no way worried."

Star Trek Into Darkness has its UK premiere in central London on 2 May.


Star Wars irresistible for Abrams
http://www.bbc.co.uk/news/entertainment-arts-22364373#sa-ns_mchannel=rss&ns_source=PublicRSS20-sa

Terry Gilliam to make opera return

Terry Gilliam to make opera return

Terry GilliamThe co-production of Benvenuto Cellini with Amsterdam's De Nederlandse Opera will run from June next year

Monty Python member turned Hollywood film-maker Terry Gilliam is to return as a director for the English National Opera, it has been announced.

The director of Time Bandits and Brazil will helm a production of the opera Benvenuto Cellini, by French romantic composer Hector Berlioz.

The 72-year-old said he had "beginner's luck" in 2011 with his first ENO production, The Damnation of Faust.

Gilliam's return was announced as part of the ENO's new 2013-14 season.

The director, whose other films include Fear and Loathing in Las Vegas, said Berlioz was "wonderfully ahead of his time".

"He had too many ideas, he was spectacular, he was shameless, the music is so extreme - and I kind of identify with him," he added in a promotional video.

The "technically challenging and rarely performed opera", which is based loosely on the life of the Florentine sculptor of the title, will be conducted by Edward Gardner.

Gilliam joins a programme that includes the UK premieres of 10 productions and four revivals of recent hits, including Philip Glass's Satyagraha and the late Anthony Minghella's Madam Butterfly.

ENO artistic director John Berry said the "amazing line-up of directors... feels like a melting pot of talent from the last four or five years."

The 2013-14 seasons starts in September with a new production of Beethoven's Fidelio masterminded by the Spanish director Calixto Bieito.


Terry Gilliam to make opera return
http://www.bbc.co.uk/news/entertainment-arts-22370533#sa-ns_mchannel=rss&ns_source=PublicRSS20-sa

Fifty Shades boosts UK book sales

Fifty Shades boosts UK book sales

E L James booksThe Fifty Shades trilogy took the top three spots in the 2012 best-sellers chart

British publishers have reported record sales for 2012, despite the recession and the rise of e-readers.

Total spending on printed and digital books rose 4% to £3.3bn last year, the Publishers Association said.

Digital spending rose by 66% to £411m. But it does not appear to have led to a marked decline for print, with physical book sales down by just 1% at £2.9bn.

EL James's Fifty Shades trilogy were the best-selling titles in 2012, with combined sales of 10.5 million.

The series took the top three spots in the 2012 best-sellers chart, according to figures released by sales tracker Nielsen at the end of the year.

The rise of such e-readers as Amazon's Kindle has sparked a surge in digital sales in recent years. But fears they would kill off physical books have so far proved exaggerated.

Publishers Association chief executive Richard Mollet said the figures proved that publishers had reacted quickly to the changes in the industry and the move towards e-readers.

He said British publishing was "a healthy industry which continues to grow".

Premium books

"What publishers were very quick to do [was] to make works available," he told the BBC.

Fifty Shades of Grey Book

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BBC News joined the Camden Girls Book Group to get their take on Fifty Shades of Grey

"That's the key to succeeding in the digital world - having them capable of being read on any device on any platform.

"That's what readers said they wanted and that's what publishers have been able to provide. It's now the case that a quarter of all fiction is read on e-readers."

Mollet said the Publishers Association was working closely with high street booksellers and would soon launch a scheme to help them overcome challenges in the physical books market.

"At the moment we are concerned that independent book shops are finding it tough. Everybody wants there to be a range of ways of getting books, online and on the high street."

Philip Jones, editor of industry magazine The Bookseller, said shops such as Waterstones were seeing a "rebound" in sales of physical books, thanks to children's and non-fiction areas and the "growing" market of books such as Fifty Shades of Grey.

The 'death' of the physical book was a long way off, he continued, pointing out that physical book sales still made up around 80% of the overall market.

Ebook reader

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"Digital is overtaking it in some areas but not all areas, so I think the physical book is going to be with us for a long time," he told the BBC.

"The premium physical book, the £20 hardback... attracts a certain type of person who wants to keep that book on their shelves."


Fifty Shades boosts UK book sales
http://www.bbc.co.uk/news/entertainment-arts-22358062#sa-ns_mchannel=rss&ns_source=PublicRSS20-sa

Street star Roache in rape arrest

Street star Roache in rape arrest

William RoacheWilliam Roache has played Coronation Street's Ken Barlow since 1960

Coronation Street star William Roache has been arrested on suspicion of the rape of an under-age girl in the 1960s.

An 81-year-old man, from Wilmslow, Cheshire, is being questioned at a Lancashire Police station, the force confirmed.

The offences are alleged to have been committed in Haslingden between April and July 1967, officers said.

Neither Mr Roache, who has played Ken Barlow in the soap since 1960, nor his representatives have commented.

A Coronation Street spokesman said: "Given that a police investigation is under way it would not be appropriate to comment."

A spokesman for Lancashire Police said: "An 81-year-old man from Wilmslow in Cheshire has this morning, Wednesday May 1 2013, been arrested by Lancashire Constabulary on suspicion of rape.

"The man will be interviewed at a police station in Lancashire during the course of the day."

Mr Roache has an award from Guinness World Records for being the world's longest-serving soap actor, having played Ken Barlow since Coronation Street's first episode.


Street star Roache in rape arrest
http://www.bbc.co.uk/news/uk-england-22366981#sa-ns_mchannel=rss&ns_source=PublicRSS20-sa

Film star Deanna Durbin dies at 91

Film star Deanna Durbin dies at 91

Deanna Durbin Deanna Durbin was awarded with a Juvenile Academy Award at the age of 18

Deanna Durbin, one of Hollywood's biggest box-office stars in the 1930s and early '40s, has died aged 91.

Her son, Peter H David, made the announcement in a newsletter to her fans, saying she died "a few days ago".

In 1947 she was the highest-paid star in the United States. But she retired from the business the following year when she was just 27.

Durbin made her film debut in the 1936 MGM short Every Sunday, in which she appeared alongside Judy Garland.

Born Edna Mae Durbin in Winnipeg, Canada in 1921, Durbin was nurtured and promoted by producer Joe Pasternak.

Her first movie for the Universal studios, Three Smart Girls, was nominated for the best picture Oscar in 1937.

People queuing at the Paramount Cinema in Manchester to see Deanna Durbin in Mad About Music in November 1938Durbin starred in the Oscar-nominated Mad About Music which opened in 1938

Durbin auditioned for the part of Snow White in 1936. But Walt Disney turned her down, saying her 15-year-old voice was too mature for the part.

In 1939, Durbin and fellow teen star Mickey Rooney were presented with Juvenile Academy Awards for their "significant contribution in bringing to the screen the spirit and personification of youth."

The success of her films, which reportedly saved Universal from bankruptcy in the late 1930s, was estimated to account for 17% of the studio's revenue during the decade.

In 1946 Durbin's salary of $323,477 made her the second highest-paid woman in America, just behind Bette Davis.

Winston Churchill watched her films before they were released to the general public in the UK, while Anne Frank hung a picture of Durbin on the wall of the attic in which she and her family hid from the Nazis.

In 1949, after 21 films and at the height of her worldwide fame, Durbin quit the movie business and retired to a village in France.

She shunned the spotlight with her third husband, the film director Charles David, who died in 1999.

Durbin rarely gave interviews but did send reporters a letter in 1958 in which she said she was "never happy making pictures".

"The character I was forced into had little or nothing in common with myself - or with other youth of my generation, for that matter."


Film star Deanna Durbin dies at 91
http://www.bbc.co.uk/news/entertainment-arts-22364605#sa-ns_mchannel=rss&ns_source=PublicRSS20-sa

Star Trek 2 gets beaming reviews

Star Trek 2 gets beaming reviews

Scene from Star Trek Into DarknessThe film is JJ Abrams' second take in the sci-fi series

Sci-fi blockbuster Star Trek Into Darkness has received beaming reviews from the UK press ahead of its opening next week.

The film, featuring Chris Pine as Kirk and Zachary Quinto as Spock, has its UK premiere on Thursday in London's Leicester Square.

British actor Benedict Cumberbatch stars as "one man weapon of mass destruction" villain John Harrison.

The sequel to director JJ Abrams' 2009 franchise reboot will be released across the country on 9 May.

The Guardian - Andrew Pulver

Director JJ Abrams has followed up his sensational 2009 Star Trek reboot with a sparkling 3D sequel.

Abrams also maintains the glistening visuals of his earlier film; Into Darkness is slathered in so much lens flare it looks like a Kylie Minogue video. And the flashes of crackling, knowing comedy have been retained, punctuating the shuddering fight scenes and chase sequences that are the very currency of the action blockbuster.

People are unlikely to charge out of the cinema with quite the same level of glee as they did in 2009; but this is certainly an astute, exhilarating concoction.

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Time Out

The revived Star Trek films are shaping up to be the opposite of Christopher Nolan's Batman tales in that they're light on bleakness and attitude. There are enough gags (Simon Pegg is fun again as Scotty) and wit (the tension between Kirk and Spock is winning) between darker bouts of space fighting and ship-saving to keep the mood airy and unpretentious.

It's compulsory for blockbuster villains to be British of course, and Cumberbatch runs with an imperial theatrical haughtiness rather than trying to bury it.

His bad guy is distinctly human, if a little two-dimensional, and he succeeds in showing real ice running through his veins and bringing some weight to a cast that generally offers more geniality than gravitas.

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Empire Magazine

Cumberbatch's Harrison may be dressed for a GQ cover but he is, in essence, a one-man army.

It is a testament to the power of his performance that, although his early appearances are greeted with the most over-the-top Evil Musical Motifs imaginable, he manages to make Harrison ambiguous and chilling throughout.

If this is Abrams' final frontier, he has left Star Trek in a good place, both in the fictional universe and as a franchise. In some sense, the title is misleading. Into Darkness is a blast, fun, funny, spectacular and exhilarating. The rule of great even-numbered Trek movies continues.

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Total Film - Matthew Leyland

Mostly, this is fantastic fun: a two-hours-plus blockbuster that doesn't bog down in exposition or sag in the middle. There are reversals and rug-pulls galore, most of them executed with whiplash skill. Trouble is, at a certain point peril-fatigue starts to creep in, putting the story (like the overtaxed Enterprise) at the risk of burning out.

What's more, this wild, plot-driven ride has a tendency to leave character moments on the back seat. Often, minor figures first time out remain minor figures, some of them left out in the rain until the narrative calls for them to make a reappearance.

But man of the match is, of course, Abrams. His aim with Into Darkness was to mint a standalone adventure, one that welcomed total Trek neophytes at the door. Mission accomplished - there's buried treasure here for long-term fans, but this is a franchise flick that demands fanboy foreknowledge far less than it does slack jaws and high stamina.

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Star Trek 2 gets beaming reviews
http://www.bbc.co.uk/news/entertainment-arts-22364608#sa-ns_mchannel=rss&ns_source=PublicRSS20-sa